Chris, what’s the story behind your number 1 photo?

With sports photography the same thing applies as with any type of photography, you’ve got to look for something which is aesthetically interesting. I’ve chosen this shot from a Roma versus Liverpool game as my favourite photograph. But it’s not of the football, it’s the crowd. 

Before the game the Roma fans, all of these Ultras I’d never seen before, were setting off fireworks, smoke grenades and flares, and I thought, ‘how extraordinary.’ If you used a long lens, say a 400mm, you couldn’t see much because of all the smoke, so I put on a 35mm, jumped over the barrier and went into the crowd. It looks more like a crazy political rally than a football match. 

Surprisingly, years later I heard from the guy in the middle of the photograph and I finished up sending him a print. He told me he didn’t attend football matches anymore, instead he looked after his grandkids. It’s very satisfying to see it and I come back to it time and again and it doesn’t tire, which I guess is a sign of a photograph that ticks all the boxes.

Chris Smith

Chris is a master of sporting photography whose career spans more than half a century. He began in the 1960s at the Daily Herald, joined the Observer in 1970, and in 1976 became The Sunday Times’ principal sports photographer, a post he held for three decades.

Multi-award-winning, Smith has covered the Olympic Games (Barcelona, Montreal and Moscow), the Masters, Wimbledon, Rugby Internationals and Cup Finals, and photographed icons including Muhammad Ali, George Best, Ayrton Senna, Seve Ballesteros, Lester Piggott and Sir Henry Cecil.